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Set FLT1 Cutoff in the MOD MATRIX to 100.00. We will sync the FILTER’s CUTOFF to the same Macro 1. :ets try adding a FILTER CUTOFF for when the arp patterns goes from A to D. When Macro 1 is turned to the left, the setting is on A,Īnd when it’s on the right, it’s setting is on D.Ī blue line is shown below the parameter that the macro is on, allowing for easy confirmation. You can drag Macro 1 (bottom right) to assign it to a knob or parameter.Īfter connecting, we will set the MOD MATRIX to 100.00. Using macro functions to control arpeggiatorsĪfter setting up multiple arps, next up is the Macro function. You can also duplicate patterns and add slight changes to some, and switch them depending on the circumstance in the song, allowing for lots of functionality.

Select B, right click, and select “Paste.” Select A, right click, and select “Copy.” It can be switched on/off by right clicking the letters,Īnd left click to input the patterns you want. You can chose 4 different patterns from A-D up top, and change them instantly as well. You can change the groove via SHUFFLE, or use GATE to shorten the sound. The middle is the main octave, and you can move it up octaves, or move it down octaves.īy adjusting and adding these functions, you can have plenty of creative freedom.īy dragging the number below up/down, you can also adjust the note by halfstep.īy adjusting in halfnotes, you can even turn one note into a lead/bass phrase. You can choose the octave range from OCTAVES.įor example, when set to 4 octaves, the phrase will be repeated up to 4 octaves, allowing for a very flashy arp.īy dragging the green blocks up and down, you can adjust the octave of a note. You can select the arp speed with PAT.SPEED, and it is locked to your song tempo. There are many settings available such as Up, Down, Alternate, and Random.

You can select the arp function from MODE. To use the arp., turn on “ARP1” on ROUTE under the oscillator (in this case, OSC1) you want to use. To activate the arpeggiator, we have entered some harmonies.